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| Name: | EJ Cartledge |
| Review Source (if not you): | My review as reprinted with permission from Inpress, Melbourne |
| Review or Comments: | Ah, the good ship Church. An enduring anomaly. So ethereal in presence and rhyme, at times so rich and sublime. But also perfectly capable of leaving their devoted audience totally mystified.
This is a wonderful and complex recording, but it may not please some fans. Steve Kilbey, Marty Willson-Piper and co. released the quite superb and measured After Everything Now This in 2002 but this album is not cut from the same cloth. It contains more of a big rock sound, with an urgency not typical of Church productions. While no one would begrudge any artist the opportunity to vary the style(s) of music they play, The Church excel creating atmospheric tomes. Their best-known work is full of imagery, metaphor and intricately woven melodies that seem to effortlessly transport the listener into an otherworldly realm. This album doesn’t do that. It leans on the guitar pedal and crashes the cymbals. The drums thump all around. Some force replaces subtlety. It does work, as the songwriting is breathtaking, but it may leave part of their loyal following bemused. Not withstanding this, every track reveals a catch worthy of another listen and there are many moments of magic. The opener, “Sealine”, is a minor classic, all mood and intensity with Kilbey’s trademark vocals breathing menace over a thumping pattern of heavy-duty strumming and big drums. There’s some lovely Latin-flavoured guitar on “The Theatre And Its Double” and it features the kind of complex arrangement unheard of from so many other acts. Perhaps the highlight is “Telepath”, where harmonies melt and the wonderful interplay between guitarists’ Willson-Piper and Peter Koppes comes to the fore. Early days of The Church saw less emphasis on harmonising but, of late, it’s become a feature (and works again on the driving “Don’t You Fall”). “Maya” is a whispered, melting gem, complete with some sweet violin, and reminiscent of some of the gorgeous ballads on After Everything Now This. Willson-Piper takes up vocal duties on the majestic “See Your Lights” and Koppes contributes a quite beautiful song called “Appalatia”. Like the very best Church etchings, it takes the listener on a soaring, uplifting journey. Even though the characteristic aura of a Church album has been replaced, it would seem that there’s plenty of life left in this remarkable group. There’s been a rebirth of sorts and the output hasn’t diminished. I might still recommend past glories to introduce newbies to The Church, but those looking for rock with a twist should not wait to partake in this glorious and elaborate offering. Inpress, Nov 2003 |
| Name: | Hans Ankarlid |
| Review or Comments: | The Band has done it again, made a wonderful and enjoyable album. Maybe this one is a bit more psychedelic than "AENT". And that is not a negative statement! The album grows after every listening. Suddenly new songs pop up and blends with the others. I LOVE it and you guys I love you even more. By the way greetz from Sweden... |
| Name: | Jeff from Oxford |
| Review or Comments: | Australia’s finest return from a three-year absence with their 17th full length (including several 2xCD sets) which picks up with the same amazingly high quality as After Everything, Now This. Marty Willson-Piper and Peter Koppes’ guitar duels are as majestic as ever and the balls-grabbing opener (“Sealine”) will make you immediately prick up your ears and pay attention. “Song In Space” features their wall-of-guitars sonic assault a la The Chameleons and Echo & The Bunnymen, and after 25 years, the lads can still find new ways to amaze us with such effective little flourishes as the brutal Spanish guitar solo ending “The Theatre and Its Double” and the exquisite, I-never-knew-they-had-it-in-them Beach Boys’ harmonies opening “Telepath.”
Other Church trademarks we’ve come to expect and enjoy are Steven Kilbey’s meaninglessly enigmatic lyrics, sung with the conviction of someone whose life depended on every word, and their signature floating, spacey ballads (“Maya,” “Summer”). Like Ringo, Willson-Piper is usually afforded a song or two and with “Appalatia” he turns in a soft, easy-listening pop gem. The swaying, hook-y grooves of the atmospheric, psychedelic trilogy, “June,” “Don’t You Fall,” and “I Kept Everything” is perhaps the closest to the band’s Heyday (pun intended), and the aforementioned 7-minute closer, “Summer” is particularly a soft-cushioned landing where you can, indeed, sit back, close your eyes, drift away and Forget Yourself. Don’t go too far, though, as you won’t want to miss the pleasures tucked away inside the 3-track, half-hour bonus EP. Opening with the ambient, cinematmospheric, fifteen-minute epic, “Serpent Easy,” a 21st century version of The Cure’s “Carnage Visors” and a classic example of a soundtrack in search of a film, the band seque into the punny, alphabetical exercise “Cantilever” [read “Can’t I Leave Her?”], which sounds like a U2 outtake, complete with Kilbey’s pretentious Boner posturing. The third track, “Moodertronic” is a ruminating, acoustic guitar solo (think “Fripp”ertronics on ‘ludes), which reminds me of the intro to The Blurred Crusade’s “Just For You” expanded to a luxurious four minutes. |
| Name: | Dermot |
| Review or Comments: | Fantastic album. I bought it a few weeks ago and can't get it out of my CD player! Each time you listen to this you just pick up something new. SK is such an evocative writer. The imagery his lyrics create allow the listener to develop their own take on each song. Such as 'Lay Low' could be construed as a political song(?). Is the storm the political climate in the world today? Or is it much more personal than that?
I first got into The Church in the mid 80's when I met a bloke who'd just come back from Australia. He kept singing their songs and I was really impressed with the lyrics, so I listened to Blurred Crusade and was hooked. This band have just evolved so much, its almost like 3 different eras. I've just got tickets to see them in London on 2nd April. Its the first time I've ever been able to see them and I can't wait. |
| Name: | smack daddy |
| Review or Comments: | Let me start by saying I love the Church. I have every album, so I do not need to be converted. But this album sucks serious ass. This is their worst album by far. After 15 - 20 listens I am still bored stiff. The only song that has any interest to me is Telepath (it has a good riff). What am I missing here that all these other reviewers are getting? |
| Name: | nestor (Belgium) |
| Review or Comments: | I was afraid that the Church lost there inspiration in the 90's (except PRIEST=AURA).
But now they came up with this great album. All I can say is THE CHURCH IS BACK.... |
| Name: | Mark K. |
| Review Source (if not you): | NYC |
| Review or Comments: | Forget Yourself can also be purchased in the US (and possibly Europe) via the Apple iTunes store but not the limited edition bonus CD (available from the spinART label based in NYC).
It's a damn fine album. Great that Steve Peter, Marty and Tim are firing on all cylinders. Another 20 years of the Church would be far more than great. Missed the NYC 8 March show 'cause I was in the hospital. I hope it was well-received. |
| Name: | Jim Wood |
| Review or Comments: | I've been a fan of the Church for some time now. I have enjoyed all of their records. On Forget Yourself, I found myself obsessed with "Sealine",playing it over and over before I could move on to "a song in space". The next track that really gets me going is "Telepath", another song I tend to play over and over. I won't go on with every song on the album, but Forget yourself is awesome from beginning to end. I feel sorry for people who haven't discovered how great The Church's music and lyrics are. I guess they are just not there yet. |
| Name: | R.M. Engelhardt |
| Review or Comments: | Just bought "Forget Yourself" the other day and being a long time fan of The Church I have to admit at first I was a little surprised. Forget Yourself is unlike any of their other albums although if you have been listening to them for years like myself you can hear stirrings of their latest in past productions. Quite frankly I think that it's one of their best efforts. It's melodic as well as having strains of psychedelia within it. This is not a commercial production. It's artistic. |
| Name: | Daniel Watkins |
| Review or Comments: | Wow, awesome to see feedback coming from Iva Davies, who is a great artist himself! Check out http://www.icehouse-iva.com
OK, now back to the Church. Forget Yourself is a great album. It has all of those elements you love about this band, but takes it all in a new direction. You haven't heard the Church like this before - one listen to the new song "Lay Low" will prove that beyond a doubt. I have been hearing Church fans list this as their new favorite album over Preist=Aura and Starfish, which I have never heard fans do before. BTW, the US version is supposed to have a bonus disk of some sort when it comes out late January. Daniel (Dallas, TX USA) centuryhouse@yahoo.com |
| Name: | Rider |
| Review or Comments: | Haven't Heard the CD yet, as I'm waiting for it to make its arrival in stores here in the states. Speaking of which, why hasn't Forget Yourself been released here yet? I can't find it anywhere. Anyways, AENT is GREAT! Can't wait to hear Forget Yourself! |
| Name: | Hannu |
| Review or Comments: | Hi! Nice to hear good feelings about the newest Church album. I am a fan of the band since Priest=Aura. I live in Finland in Europe. The album is not available here yet. I don't understand why it will be released here not until the end of January 2004. Can't wait! |
| Name: | iva davies |
| Review or Comments: | I don't often review other Australian Albums, in fact I am still not; However.. But the Church deserve the highest level of respect on this one.. - and by the way this is number 16 for them which I think is great not only for them, but it is a testimony to the Australian music scene which I have been happy to share over the years ...Well Done Steve, MWP, and the lads...and watch out Radiohead.
Iva |
| Name: | Fipster |
| Review Source (if not you): | www.whammo.com.au |
| Review or Comments: | Forget Yourself proves the impossible; that a band can exist for 23 years, consistently producing credible sounds without disappearing up their own backsides or tarnishing their name with transient musical whims. This album represents the veteran troupe as a unanimous agreement on ideology; the same idea we loved in 1980. Forget Yourself blends a magnetic brand of pop, crushes it with raw distortion and adds a psychedelic garnish to arrive at the definitive trademark sound that has attracted a truly global following for this seminal act. Recorded at Spacejunk and produced by Tim Powles, the whole LP is beautifully tarnished by a raw edge that contradicts the sweet harmonies and melodies. It adds credence to the notion that The Church's career is working in reverse, powered by a DIY philosophy that protects the group from outside influence and purifies the sound. But the true appeal is always in the combination of 4 fine songwriters blending their best ideas to arrive at a supreme compositional quality. Sealine's opening wall of distortion is the most epic sound I've heard this year. It literally left me dazed and prepared me for the 14 prime tunes on Forget Yourself. After the first single, Song In Space, I discovered my new favourite song, The Theatre And Its Double, which breaks down to hushed vocals and lightning finger-picking to achieve the level of quality I call 'goose bump material'. Lay Low finds The Church rolling like a well-oiled machine with Powles driving the chorus and adding some lush offbeat snare-work to the quiet moments. It's the carefully planned dynamics and variety of textures that makes this LP one of the best albums for 2003 and there's no doubt the obsessive fans will be sated, at least for the moment. Forget Yourself, rather than exhibiting the craft of an act in its twilight years, suggests that The Church have much more to offer: much, much more. |
| Name: | matt davison |
| Review or Comments: | I am sure the Church live in another time and in another dimension... It is the only way one can define these musicians, if people can't figure out that MWP is one of the worlds guitar greats then perhaps they better grab hold of this disk Somehow, somewhere.
Song in Space is not the right title track for release as a single, and it worries me that SK can't figure that one out! (He could have tassled with the label bosses) However the song that is streets ahead of the rest for a commercial hit is, Telepath. |
| Name: | TimeBeing |
| Review or Comments: | If you're unsure about buying this new album don't hesitate.
This is The Church reborn. If you haven't followed them for a while is time to return to the fold. Forget "Under The Milky Way," the past is gone, it was but a prelude, the band has really gelled into something greater than the sum of its parts, After Everything Now This was good, but is now just a teaser of the heights they can achieve, get ready to Forget Yourself. This may well be the very best album of The Church. Their unique sound is here, but is recast and reinvented, it is the culmination of their refo:mation since Tim Powles joined and Peter Koppes rejoined. This is a very cohesive album, even having its twists and turns and no song being entirely similar to the previous ones the album flows flawlessly. Song In Space, the first single may not have been the best choice, but it gives you an idea of the looseness and energy of this album. This is The Church rocking harder than you may have heard them before. Both Marty and Peter deliver some of their best vocal efforts in a Church song ever in "See Your Lights" and "Appalatia" respectively, while Steve delivers the lyrics to the rest in a matured and experienced way. Singling out a song out of this is almost impossible, all have something special to offer, and just as many Church albums they reveal more with further listening. A song that may have not grabbed you at first listen may become your favorite later. Even if you're just a casual fan of The Church or are just curious about how a band has lasted for so long with many fans still fiercely loyal just go get yourself this album. Forget Yourself once and again and you'll understand. |